40 Ways to Strengthen Your Writing and Avoid a "Very" Weak Word

Writer's often hear a simple, yet vitally important, piece of advice:

Never use the word, ‘very.’ It is the weakest word in the English language; doesn’t mean anything. If you feel the urge of ‘very’ coming on, just write the word, ‘damn,’ in the place of ‘very.’ The editor will strike out the word, ‘damn,’ and you will have a good sentence.

- William Allen White

"Very" often serves as a go-to word for many, but it simply leaves writing flat. Good writing draws the reader in and creates the writer's world in the reader's imagination. People imagine things with various differences, but when an author really paints a perfect picture, it helps readers to better "see" what the author "saw" when drafting the novel or poem. Compare the following three descriptions of the same scene:

Some rights reserved by Nick Kenrick.

1. Vibrant reds, yellows, and oranges blew very slowly across the sidewalk.

2. Vibrant reds, yellows, and oranges blew lazily across the sidewalk.

In this example, the idea is the same, but the presentation stands stronger because the word is stronger. As an intensifier, very is a modifier that provides no real meaning except to enhance or add force to the words that it modifies. Simply put, it's lazy filler. Admit it: it's easier to say something is very tall instead of thinking of a more descriptive word (such as towering) or thinking creatively (maybe using a metaphor or simile?). Shortcuts don't always breed success, however, and a good writer understands that readers desire substance, thought, and ingenuity.

The next time you find yourself writing that damn word very, sit back and reconsider. The English language overflows with synonyms for the simple word you chose. That's what makes writing so wonderful: the only limit is your imagination. Be creative! If you find yourself stuck, try one of the 50 very good  excellent replacements below.

very	bad	Awful	Atrocious
very	cold	Frigid	Freezing
very	wet	Drenched	Soggy
very	expensive	Costly	Pricey
very	sad	Depressed	Melancholy
very	fun	Entertaining	Delightful
very	happy	Ecstatic	Pleased
very	cute	Adorable	Precious
very	hot	Sizzling	Suffocating
very	painful	Agonizing	Excruiciating
very	tired	Exhausted	Pooped
very	comfortable	Cozy	Snug
very	boring	Monotonous	Tiresome
very	bright	Radiant	Vivid
very	dull	Dim	Witless
very	dark	Murky	Somber
very	clean	Immaculate	Unblemished
very	deep	Profound	Fathomless
very	young	Youthful	Juvenile
very	late	Belated	Delayed
very	tall	Lanky	Towering
very	short	Condensed	Abbreviated
very	small	Minuscule	Petite
very	big	Gigantic	Substantial
very	hairy	Fuzzy	Bewhiskered
very	shiny	Sparkling	Lustrous
very	calm	Harmonious	Serene
very	angry	Furious	Enraged
very	dry	Arid	Parched
very	long	Elongated	Stretched
very	gentle	Amiable	Tame
very	harsh	Bitter	Coarse
very	loud	Roaring	Boisterous
very	quiet	Muted	Hushed
very	nasty	Noxious	Vulgar
very	good	Favorable	Pleasing
very	smelly	Fetid	Rancid
very	bloody	Grisly	Crimson
very	thirsty	Parched	Droughty
very	hungry	Ravenous	Starved

Three Mistakes Beginning Writers Often Make

Every writer has their own strengths and weaknesses. Some are strong in grammar. Some are guilty of “showing” so much that they don't move the story along. Others don't give enough description. The more you write and get feedback from others, the more you will figure out what you need to work on to become a better writer. Here are three mistakes beginning and even experienced writers often make. I know I catch myself being guilty of these.

1. Spell-check Software vs Editing: Many believe a quick run of spell-check will catch all of their spelling and grammatical errors and quickly polish their piece for reader consumption. Think about this: does spell-check catch the difference between their, there, and they're? Simple mistakes or misspellings are not identified with basic spell-check programs.  You need to edit!  Read your work silently at least three times to identify spelling and grammatical errors.  Read it out loud to identify the flow of your work.  How does it sound to the reader?  You wouldn't believe the difference it makes to hear your work out loud.  Not only is it important to edit for errors, it's important to edit for clarity, flow, and readability.  You'll catch sentences that are full of filler.  You'll catch sentences that stumble through to the end.  Lesson learned: Edit!
2. Using Clichés: As a reader, how many times do you read the same metaphors over and over again?  Be creative with your descriptions, metaphors, etc.  I try to avoid clichés in my work unless I absolutely cannot think of something better.  If you have to, use them initially, but when you go back to edit, change to something more creative.  You'll be amazed at the things you can come up with if you just put in some effort.  Believe me, readers will appreciate it.
3. Wordiness!: When you put too much in a sentence, readers will stray and have a hard time following it.  For my final in my Place & Setting course this semester, we had to revise two of our major creative writing pieces in the class.  When I went back today to revise my very first assignment, I completely agreed with my professor that some of my sentences were over the top.  You can convey the same feelings, descriptions, or ideas in simple ways that do not lose your reader. 

A Walk to Remember for #ThrowbackThursday

A Walk to Remember (11/1/2003)

Beautiful cloudless sky
Endless mass of stars above
Two forms walked forward
Walked only looking ahead

He held her hand in his
She rested her head on his arm
Silently they walked in sync along the path
Only one set of footsteps could be heart
Just one powerful heartbeat could be sensed
The pair was one.

Every night the pair walked
Hand in hand for hours on end
Every night they never spoke
Just cherished the moments together

This evening would be the final night 
Until a year passed
For he was leaving
And she would be left behind

This night their pattern was dismissed
For he broke the silence
And she broke the touch between them

"I love you," he whispered silently
She looked up at him teary-eyed
"I love you, too," she answered 
With a hint of sadness in her voice

He grabbed her hand
She placed her head on his shoulder
They walked on again until the night was over

Until the miles no longer stood between he and she
A walk to remember this would be.

A poem I wrote when I was 16, presented for Throwback Thursday. Barf! It reads like more like a short story than a poem... a bad, broken, improperly formatted story... and apparently I didn't realize you don't have to capitalize every line... and that poems should flow instead of read awkwardly... and that it is just completely horrible.

Do you have old work that makes you cringe?